This is the official listing of the TCCBDA All-State Audition Material. All corrections and errata will become official only when it is posted on the TMEA site. Please check it FREQUENTLY to be certain you have the most up-to-date errata. If you have questions about these etudes or the errata, please contact the TCCBDA Vice President.

NOTE: All four percussion etudes are to be placed on a single tape/CD, in the order listed here.

Flute and Piccolo
Flute Etudes Book, Mary Karen Clardy, European American Music Corp. or Schott

Etude 1:
Page 20-21, B Minor, Op. 33 / 6
Tempo: Quarter note 40 - 50
Play: Begin at M. 27 on page 21 and play to end

Etude 2:
Page 70, C Minor, Op. 107 / 6
Tempo: Dotted half note 52 - 63
Play: Beginning to end
Errata: Piccolo: m. 1 - Play the first note one octave higher;
m. 2 - Play the last note one octave higher;
m. 16 - Play the last note one octave higher;
m. 17 - Play the C one octave higher

Soprano Clarinets
Artistic Studies, Book 1 - From the French School, David Hite, Southern Music Company

Etude 1:
Page 37, G Major, 40 Studies, No. 35
Tempo: Quarter note 92 - 100
Play: M. 25 to the end
Errata: m. 26 - should have Eb in both octaves;
m. 32 - beats 3&4 should be under one slur as in measure 34;
m. 38, m. 40 - each grouping of four sixteenth notes should be "slur two - tongue two" - In some published editions this is correct, in other editions marked differently;

Etude 2:
Page 74, 32 Etudes, 29
Tempo: Dotted quarter note 58 - 66
Play: M. 19 to the end
Errata: none

Low Clarinets
Artistic Studies, Book 1 - From the French School, David Hite, Southern Music Company

Etude 1:
Page 76, Db Major, 32 Etudes, 31
Tempo: Eighth note 88 - 100
Play: M. 15 to the end
Errata: m. 36 - 7th note should be E-flat

Etude 2:
Page 56, 32 Etudes, 10
Tempo: Quarter note 84 - 96
Play: Beginning to the downbeat of M. 27
Errata: none

Oboe and English Horn
Selected Studies for Oboe, H. Voxman, Rubank

Etude 1:
Page 4-5, A Minor, Allegro brillante
Tempo: Quarter note 124 - 132
Play: Beginning to 1 st note of M. 31
Errata: none

Etude 2:
Page 28, C Minor, Adagio (in 8)
Tempo: Eighth note 68 - 80
Play: Beginning to 1 st note of M. 14
Errata: none

Bassoon
Practical Method for the Bassoon - 50 Advanced Studies, Weissenborn / Ambrosio, Carl Fischer

Etude 1:
Page 99, D Major, Fifty Advanced Studies, No. 27
Tempo: Quarter note 108 - 132
Play: Beginning thru M. 37 (no repeats)
Errata: none

Etude 2:
Page 82, Fifty Advanced Studies, No. 4
Tempo: Quarter note 56 - 63
Play: Beginning to end
Errata: none

Saxophones
Selected Studies for the Saxophone, H. Voxman, Rubank

Etude 1:
Page 8, D Minor, Andante
Tempo: Eighth note 96 - 108
Play: Beginning thru M. 24
Errata: THIS ETUDE REPLACES NO. 17, PAGE 19. (posted 6/22 - 1:40 pm)
(NO. 17 was a duplicate from a different book used in 2009.)
m. 7 - The Bb is an eighth note. There is no dotted rhythm. It is a typo. The measure should have 6 eighth notes. The pitches are correct.

Etude 2:
Page 38, F Minor, Scherzo
Tempo: Dotted quarter note 72 - 76
Play: Beginning thru M. 18
Errata: The slur at the end of m. 8 should extend to the Ab that is the downbeat of m. 9.

Cornet/Trumpet
Selected Studies, H. Voxman, Rubank / Hal Leonard

Etude 1:
Page 8, F Major, F Major - Adagio cantabile
Tempo: Eighth note 106 - 122
Play: Beginning to downbeat of m. 39
Errata: none

Etude 2:
Page 22, B Minor, B Minor - Allegretto grazioso
Tempo: Quarter note 92 - 106
Play: Beginning to the 4 th measure of Line 8 (downbeat dotted quarter F#)
Errata: none

F Horn
335 Selected Melodious, Progressive, and Technical Studies - Book 1, Pottag / Andraud, Southern Music Company

Etude 1:
Page 106, C Major, No. 88
Tempo: Quarter Note = 100 - 126
Play: Beginning thru the 5 th measure of 7 th line (C)
Errata: m. 25-31 are triplet rhythms;
m. 32-35 are duple rhythms;
m 71 play high C, not unison of the first pitch in the measure

Etude 2:
Page 50 (top), C Minor, Andante grazioso
Tempo: Eighth Note = 112 - 138
Play: Beginning to end
Errata: none

Tenor Trombone
Advanced Musical Etudes, 112 Studies based on Blazhevitch's Etudes, Fink, Accura

Etude 1:
Page 73, No. 92
Tempo: Quarter note 58 - 64
Play: M. 21 to the end
Errata: none

Etude 2:
Page 40-41, No. 60
Tempo: Quarter note 96 - 104
Play: Beginning to the fermata in M. 60
Errata: m. 47 - the 3rd note should be a C-natural, not a C-sharp;
m. 48 - add a slur from the 4th note to the 5th note.

Bass Trombone
24 Studies, Grigoriev / Ostrander, International

Etude 1:
Page 16, No. 14
Tempo: Dotted quarter note 55 - 65
Play: Beginning to end
Errata: none

Etude 2:
Page 25, No. 23
Tempo: Quarter note 63 - 76
Play: Beginning thru M. 32
Errata: none

Euphonium
Selected Studies, H. Voxman, Rubank / Hal Leonard

Etude 1:
Page 10(BC) 12(TC), F Major, F Major - Larghetto cantabile
Tempo: Eighth note 72 - 96
Play: M. 19 to the end
Errata: TREBLE CLEF:
m. 23 - add a crescendo through the measure;
m. 24 - should be played: 1/16th note,1/16th note, 1/4 note;
m. 31 - should be played: three note slur, followed by a six note slur;
m. 32 - should also start with a three note slur. The first note in M36 is a dotted 1/16 note;
m. 56 - delete crescendo;
m. 64 - add crescendo;
BASS CLEF:
m. 73 - add decrescendo on count 3

Etude 2:
Page 21 (22), A Minor, Allegretto grazioso
Tempo: Quarter note 88 - 118
Play: Beginning to end (no repeats)
Errata: m. 52 - should be marked p. in bass clef book

Tuba
70 Studies, Vol. I, Blazhevitch, Robert King Music

Etude 1:
Page 22, No. 23
Tempo: Quarter note 76 - 88
Play: Beginning to end
Errata: none

Etude 2:
Page 25, No. 26
Tempo: Quarter note 104 - 124
Play: Beginning to end
Errata: m. 10 - the 3rd and 4th eighth notes should be marked staccato;
m. 14 - both quarter notes should be marked accented, just as in m. 13;
m. 21 - the 3rd note should be an 8th note and the 4th note should be a quarter note (i.e., rhythmically identical to m. 2);
m. 23 - the 2nd note of the measure should be marked accented;
m. 29, a slur should be marked under the 3rd, 4th, and 5th notes, just as it is in m. 23; m.31 - an "mf" should appear at the beginning of m. 37

PERCUSSION MUST SUBMIT ALL FOUR INSTRUMENT ETUDES LISTED BELOW

Percussion – Snare
Portraits in Rhythm, A. Cirone, Belwin Mills/Alfred

Etude 1:
Page 8, No. 6
Tempo: Quarter note 60 - 66
Play: M. 13 thru 26
Errata: m. 15 (in the Study Guide edition) - the last note should be an 8 th note

Percussion – Keyboard: Two Mallet
Modern School, M. Goldenberg, Chappell

Etude 1:
Page 66, VII
Tempo: Quarter Note = 110 - 126
Play: M. 17 thru 36
Errata: none

Percussion – Keyboard: Four Mallet
Impressions on Wood, Julie Davila, Row-Loff Productions

Etude 1:
Page 8-9, C Minor, Jonathan's Light
Tempo: Quarter note 88 - 92
Play: M. 17 thru 35 (with repeat)
Errata: none

Percussion – Timpani
The Solo Timpanist, Firth, Carl Fischer

Etude 1:
Page 33, XVIII
Tempo: Quarter note 110 - 112
Play: Beginning thru M. 33
Errata: m. 20 - last roll should be a half note;

String Bass

57 Studies, Vol I (Fred Zimmerman) No. 1034 IMC

#24 - ALL
Page 24-25, Allegro assai
Tempo: Quarter note =  130 - 136  
Play: WITHOUT REPEATS  
 Errata:  Ms. 63 - the C should be C natural (posted 7/14)
Ms. 22 - is forte, and not preceded by a crescendo (posted 7/22)